Friday, March 7, 2008

Ironwood Giraffe


I hold in my fist
the neck of a foot-high
ironwood giraffe
I bought in a market 
in Johannesburg

This hard wooden sculpture
reminds me that
I saw no giraffe
while in Africa
though I strained my neck

and squinted against the plane's
tempered double window
and looked upon Senegal
to see only darkness
and a few huts

All the way to Jo'berg,
to Maputo and north
along the coast of Mozambique,
past the swollen Zambezi,
there was no sign

of the prophetic beast
who says very little
but flaps an ear
while exfoliating
a village tree

I saw children close to earth
and mothers bending the knee
and a ragged beggar
sleeping on the beach
and many bare feet

There were homemade boats on the shore
and on the wrong side of the road
worn down diesel trucks
I met mahogany colored people
who raised the palm with "Salaama"

Beneath me, the hard red earth
Above, palms and boabab trees
At eye level, orphans and widows
bright smiles and laughing
music and dancing

I still see large yellow African morning skies
with rainbows at noon
I hear the rhythms of Makua and Makonde tongue
I listen to boys with wares on the beach
who can negotiate with anyone

Then back through small airports
named for national heroes
but never a glimpse
of a noble and cow-eyed
black and orange race of seers

So I hold my ironwood
giraffe by the neck
and plant him on the mantle
so I can see every day
what I have not seen

6/3/08
copyright 2008 Trevor Haug
from "Poems of Africa"



Thursday, March 6, 2008

Rain on the Maples

(for Carolyn Blunk)

Rain on the maples-
The forest is overcome
With new shades of green
Deeper than we've known.
Our limbs and trunks 
Bend with this season
Yet, like a psalm recovering
There is still
A silver-emerald
Late Spring joy.

Though your verdant 
Leaves became crimson
And fell to earth
Well before autumn,
These hours
Given to us all
Will be raked together 
Soon enough
In golden, scarlet mounds
Under afternoon sun.
Until then,
We still hear your laugh
Like rain on the maples.

copyright 2005 Trevor Haug
from "Poems of New England"

Saturday, March 1, 2008

Psalm 071115


I am muted
like a trumpet
heard but more reserved
needing more lung, more lip
I am dampened and bandaged
like a ripped drum
holding back, fearing the stick
I am an awkwardly capoed guitar
holding down four of six strings
I am a dream
drained of colour
I am fingers with no rings
I am not desperate
but shun parades
I hold regrets
like half-eaten ham sandwiches
on white bread
I was standing, watching
destiny wave like the Queen
as she passed by
I often wonder where she went
I am too lame to
even shuffle
and too tired to lament
yet I

15/11/07

copyright 2007 Trevor Haug
from "Poems from the Hedge"

Zamboni Dance


zamboni pair
before the third
Grown graceful twins
Prodigy of
street cleaner and
riding mower
Your swathing tongues
create a looking
glass with each pass
our sins smaller
until your dance
must be over

2/08

copyright 2008 Trevor Haug
from "West of Vancouver, Poems from the Island"

The Heavy Door


The heavy door to November
is held open by the saints
"Come in," they insist
-short Italian monks
They show me their liqueurs
"You will need these for the storms"
And I was afraid
that colour would never return
It leaves the trees and enters my cheeks


15/11/07

copyright 2007 Trevor Haug
from "West of Vancouver, Poems from the Island"

The Bird Feeder


My new tractor-green cylinder
Pez dispenser for sky musicians
Attracts only flightless acrobats
Grey Cirque de Soleil escapee squirrel
Hangs with monkey tail
Robbing the offering
Like an illegal lover

After dark, more obscenities
A tinsel-eyed raccoon
Has my John Deere green
Father's Day gift on the fecund earth
Gnawing and drunkenly oblivious
To the cursing flashlight
At last, sobered by my approach
Hurries to a forgotten appointment

I'll hang my scarred green gift again tomorrow
But even in the mirror-bright morning
These high church warblers
Will refuse my oiled sunflower virgin seed
Stained by squirrel scent
Spoiled by raccoon slobber

31/8/06

copyright 2006 Trevor Haug
from "Poems from the Hedge"

Monday, February 25, 2008

The Mango Goddess

My wife is the mango goddess
not by birthright or decree
but by a local democracy
When she moves through the fruit section
squeezing, watching, and listening,
the locals ask her
about the qualities of mangos
"Why do they ask me these things?"
she asks in a Jewish tone
"Because you are the mango goddess, " I reply
"But I don't look remotely..., I'm Irish,
I should know about potatoes,
Why don't they ask me about potatoes?"
"Because you are the mango goddess, " I reply
She knows the difference between ripe and rotten
She passes judgement on raw and rare
Her village is as global as her vision
She commands the economy
and pays her subjects well
When she is out of the grocer's
and in my arms late at night
she asks me why I chose this night
for toast and tea
"Because you are the mango goddess," I reply

9/97

copyright Trevor Haug 1997
from "Poems from the Hedge"

Saturday, February 23, 2008

Tulip Yellow Moon

Tulip yellow moon
the children looked for you
this afternoon
while you were hiding
waiting for the sky
to finish bleeding
Then you rose and hung
from a dark pine bough

04

copyright 2004 Trevor Haug
from "Tulip Yellow Moon, Verses for a Child-like Tribe"

Spring for Beginners


She cannot yet turn over
so she sits on the lawn 
in her car seat while the twins 
and the neighbor's cat
orbit her world

She cannot help but see
what we have been missing - 
the budding maple
six stories high
an apartment for blackbirds 
and mourning doves

Beyond, against the blue,
mute clouds
try to invent a dance
that we fail to imagine
because we rarely look up

Her eyes move to
her first movie screen,
the side of the white house
that shows all of our shadows
in the afternoon

The cat and she
hear the trucks growl
as they gear down
to pass through
town

She feels the same slow breeze
that feathers all our faces
while New England greens

04

copyright 2004 Trevor Haug
from "Poems of New England"

Boabab


I ask a local how old is the tree
60 years, he says with little confidence
I'm thinking at least 200
Either way, it is beyond our span
Another tells me it is hollow inside
and can hide a whole village
So it has uses
beyond holding my mouth open
And I ask myself,
Why would such a village
need to hide?

07

copyright 2007 Trevor Haug
from "Poems of Africa"